New Listeners

On the occasion of the exhibition Infinite Ear at Garage Museum of Contemporary Art, Alison O'Daniel will present New Listeners, installation with sculptures and scenes from her ongoing filmic project The Tuba Thieves.

With two projections in the Central Gallery of the museum, The Tuba Thieves (2013–ongoing) is a film where musicians and concerts are recurring figures. It features stories directly referencing deaf and hard of hearing people’s experiences with sound, which include hypersensitivity toward social norms, variations around volume, heightening of other senses, invention of languages, delays in comprehension, frustration, disorientation, humour, and misinterpretation.

Alison O'Daniel, The Audiologist’s Poem 2018, installation view in Infinite Ear, Ph. Garage Museum of Contemporary Art

Sound is shifted away from the ears into visual clues in her three sculptures – Line of Sight (2018), a chain of interlocked and thus silent triangles, The Audiologist’s Poem (2018) – a set of сopper casts of the inner ears of hard of hearing people hanging from the ceiling in pairs – and Nyke and the New York Kite Enthusiasts in Santa Monica #2 (2018) – a mobile that acts as the soundtrack of the film projected onto the wall.

The Tuba Thieves1, began after tuba robberies from Los Angeles schools. The story of a Deaf drummer runs parallel to marching band students reconciling with missing sound. The project prioritises Deaf and Hard of Hearing experiences and reimagines the aural world. The artist herself is hard of hearing, wears hearing aids and lips-reads.
The project, in which sound is the main character, is constructed ‘backwards’: O'Daniel commissioned three composers to create scores, which informed the narrative of the screenplay. The music determines art direction during film production, as well as sculptures and installations in exhibitions. Further, first-hand accounts and real life details from collaborations with marching bands, composers, athletes and actors shape the narrative. Scenes are produced out of order and presented as a series of related, short films with missing information so the hearing audience participation mirrors Deaf and hard of hearing experience.
2 The Tuba Thieves is a slowly unfolding feature-length film produced and presented in fragments since 2013. As O’Daniel completes scenes, she presents segments of the film within installations of sculptural work that are both formal and functional: the forms refer to the references originally provided to the composers, and the materials are often acoustically reflective, absorbent, deadened or sound-dampening.

EXHIBITIONS (selection)

— Centre Contemporain d’art Passerelle (2015)
— Art In General, USA (2016)
— Bergen Assembly, Norway (2016)
— The Hammer Museum (2016)
— Los Angeles Nomadic Division (2018)

The Tuba Thieves, HD Video, 16mm, VHS
(2013 – ongoing)

written, directed and edited by

  • Alison O' Daniel

musical score by

  • Christine Sun Kim
  • Steve Roden
  • Ethan Frederick Greene


  • Nyke Prince

Cinematography by

  • Meena Singh
  • Soraya Sélène Burtnett
  • Judy Phu

A purpose-built installation of the piece will be shown on the occasion of the exhibition Infinite Ear, Garage Museum of Contemporary Art, 2018

Produced by

  • Rachel Nederveld

Supported by

  • Art Matters
  • Center for Cultural Innovation
  • Foundation for Contemporary art Franklin Furnace Fund
  • Hammer Museum
  • Art in General
  • Rema Hort Mann Foundation
  • Grand Central Arts
  • FLAX (France Los Angeles Exchange)
  • Los Angeles Nomadic Division.

    image: The Tuba Thieves, installation view in Infinite Ear exhibition, 2018, ph. Garage Museum of Contemporary Art
1. Alison O'Daniel, The Tuba Thieves, excerpt, Scenes 46 & 47: Away Game
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2. Alison O'Daniel, The Tuba Thieves, excerpt, scenes 48 and 57: Nyke and the New York Kite Enthusiasts
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